The
following scene at Madame de Restaud presents Restignac with a somewhat
disillusioned wake up call. He does not fit in at all, and the others use it to
mock him. The student envies the elegant Maxime so much to mentally comment on
his polished mud-free boots, thus enforcing this contrast of social status. The
conversation of the room is reminiscent of the likes of Pride & Prejudice, the underlying tensions between classes
concealed (or not) by witty comments of the one trying to outdo or impress the
other. Unlike Elizabeth Bennett though, Restignac fails at this completely. His
blunder of calling Goriot by his nickname proves fatal as he is basically
kicked out of Madame Restaud’s house. Nonetheless, he is enchanted by Maxime’s
natural talent of charming women and hopes to one day “to reign supreme over
such an eminently Parisian woman” (56).
Restignac
retreats for mentoring from his cousin, Madame de Beauseant, in the ways of
high society. This scene also features the gossip and strategic play of talk as
shown previously. Beauseant gives Restignac his first piece of advice: “if you
wish to succeed, you must learn to hide your feelings,” which she proceeds to
do as her 'friend' arrives and blurts out how her lover with is going to marry
some other woman (66). Then she teaches him a lesson when recounting Goriot’s
story: women are unforgiving. They will take your money and leave you to ruin,
just as Goriot’s daughters did to him. This section shows the unapologetic
realism of the novel that borders on cynicism. The only way to succeed in this
world to play the game (similar to the moral of Game of Thrones) – be a vain man, Beauseant tells Rastignac, and
women will fall for you.
Back
at the boarding house, Vautrin mocks Rastignac for his resolve to penetrate the
high society. But Rastignac spits back at him and defends Goriot, as we know he
is now trying to get with one of his daughters. Rastignac retreats back to his
room to write to his family, asking them to give him all their money for his
cause. The rest of the chapter ends with more Goriot back-story.
This
chapter starts to illustrate Rastignac’s disillusionment with the glittering
surface of high society and his fall into knowledge. He is corrupted by the
fashion and elegance of Maxime and further pushed by Beauseant. He is enticed
by the power and influence of money which changes his moral values. Vautrin also reinforces the feeling of inadequacy and smallness he felt from his
blunder at the Restauds’ -- something Rastignac never wants to feel again. In
addition, upon learning Goriot’s story, Rastignac is given evidence of a future
in where he fails at playing by these rules. Thus, Rastignac resolves to the
immoral, pushing back his studies and asks his already struggling family for
money to basically attempt to become a pimp. And through these letters, he sees
himself noble that his sisters and mother will advance his success! Balzac
certainly does not hold back on illustrating the cynical realism of the novel,
where even the purest, innocent man will eventually fall to being a con artist.
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